A Blue British Shorthair Countess Has a Gaze That Could Freeze a Banquet Hall
Copper eyes, plush blue-gray fur, and a gaze that could freeze an entire banquet hall. A British Shorthair countess sits for her portrait in a crimson silk gown that shimmers with gold embroidery of roses, oak leaves, and acorns, its edges trimmed with tiny pearls. A jeweled pendant and pearl necklace rest at her throat, and on her head sits a curved black French hood bordered with rows of pearls and gold. Behind her, a heavy olive-green drape falls in soft folds, its sheen catching the light.
That elegant curved headdress was a fashion statement in the Tudor court. The French hood, a rounded style worn set back on the head to show the hair at the front, became popular in England in the early sixteenth century and is closely associated with Anne Boleyn, who had spent part of her youth at the French court. It contrasted with the older English gable hood, which was stiff and pointed like the roof of a house. Choosing one style or the other could even be read as a statement about taste, allegiance, and modernity at court.
This countess has clearly chosen the fashionable option, and she wears it with total poise. With her round face, thick velvety coat, and air of utter unflappability, she looks like she could hold her own in any royal intrigue, preferably from a well-cushioned chair.






